July 30, 2015
By Rechelle Tangcangco
Gresham sought out the PMCs after a few months of dissatisfaction with the mixes he was making on his previous nearfields, and a mastering session with Stuart Hawkes at Metropolis where he realised what his mix sounded like on a pair of PMC’s BB5 XBD-As. He began to look into using some PMCs that were a more suitable size for his small studio, and auditioned a pair of twotwo.6s. “I just remember being blown away by the clarity and the detail,” he comments. “The crazy thing was the lack of distortion and their transparency.