New Blackmagic Cinema Camera debuts at IBC

Blackmagic Cinema Camera MFT (passive Micro Four Thirds lens mount) model plays nice with most lenses and takes third-party PL mount adapters.


2.5k sensor cameras Blackmagic Cinema Camera Blackmagic Cinema Camera MFT Blackmagic Design camera DaVinci DaVinci Resolve IBC IBC2012 PL mount

  Blackmagic Design at IBC 2012

Amsterdam – At IBC, Blackmagic Design unveiled a second model of the Blackmagic Cinema Camera that features passive Micro Four Thirds lens (MFT) mount, so customers now have an even greater choice of lens options when shooting. The new Blackmagic Cinema Camera MFT model supports any Micro Four Thirds with manual iris and focus, and is also easily adapted to other lens mounts such as PL via third party adapters. The ability to use third party adapters to allow other types of lens mount is because the Micro Four Thirds lens mount is much closer to the image sensor and allows space for adapters to other lens mounts.

Blackmagic Cinema Camera MFT will be demonstrated on the Blackmagic Design IBC 2012 booth in Hall 7, Booth H20.

Blackmagic Cinema Camera MFT is identical to the original Blackmagic Cinema Camera model, however does not include lens communication so manual lenses are used. The current model of Blackmagic Cinema Camera will be renamed to Blackmagic Cinema Camera EF to let customers easily differentiate between the models.

Blackmagic Cinema Camera includes a super wide 13 stops of dynamic range, large 2.5K sensor, a built in SSD recorder that has the bandwidth to capture open standard CinemaDNG RAW, Apple ProRes and Avid DNxHD files, a built in capacitive touch screen for direct metadata entry, standard jack audio connections, built in high speed Thunderbolt connection, 3 Gb/s SDI output, a refrigerated sensor for low noise, and is fully compatible with an even wider range of extremely high quality Micro Four Thirds mount lenses plus other lenses such as PL mount lenses via common third party adapters.

Blackmagic Cinema Camera MFT also includes a full copy of DaVinci Resolve for color correction and Blackmagic UltraScope software for waveform monitoring. This means the user can simply plug into Thunderbolt laptop and run UltraScope to get full waveform monitoring scopes on set!

One of the most important features of the camera is its super wide dynamic range of 13 stops, allowing feature film quality images. Commonly people focus on more pixels, however often this just creates a higher resolution, but “video” looking images that still suffer from highlight and black clipping that limits details. Blackmagic Cinema Camera’s wide dynamic range eliminates this problem and provides film quality with dramatically more detail retained in black and whites in the image. Once the shoot is complete, the included DaVinci Resolve color correction software can be used to adjust images and take advantage of this extra range in the images. The high quality Micro Four Thirds lens compatibility also helps create sharp and cinematic images that look incredible.

To eliminate the damage that low bit depth and high compression video storage creates, Blackmagic Cinema Camera includes a fast SSD recorder. The built in SSD recorder can record the full sensor detail in 12 bit Log RAW files in the open standard CinemaDNG format on fast solid state disks. These files can be read by all high end video software. The full 2.5K sensor data is stored in the files completely uncompressed because the SSD has the speed to store video data at the required rate. This high quality file can then be color corrected on DaVinci Resolve for the same high quality result currently only possible on cameras costing tens of thousands of dollars.

 



Sponsors & Media

Subscribe our Bi-Weekly Digest

Receive up-to-date news by
signing up to our bi-weekly digest.

SUBSCRIBE
Have a tip or pitch to share?
Send us a glimpse.
We love contributions.
Digest Media