May 1, 2010
Sony OLED PVM-740 The PVM-740 is the first field display to use an organic light-emitting diode (OLED) display panel with Sony’s unique Super Top Emission technology to efficiently deliver superb high contrast and vibrant color images, even in adverse lighting conditions. Incorporating a 10-bit panel driver, the 7.4-inch high-resolution portable monitor creates life-like and smootherthan- ever gradation from dark to bright portions of a scene, such as in a sunrise or sunset. Its high-contrast imagery allows the deep black of a night scene be accurately displayed without the black portion of the image being raised, even in a low-illumination edit suite. As the black color is deep, peak brightness becomes more intense and can brilliantly express sparkling town lights and stars in the night sky. Its blur-free, quick response to fast motion is perfect for sports or camera monitoring during panning and text scrolling. With its picture contrast greater than a CRT display, it is less affected by ambient light, allowing images to be viewed even in strong sunlight. At Sony booth 8M3-01. —————————————————————– Thales Angenieux HD Video 14 x 4.5 Wide Angle Lens Thales Angenieux extended its line of HD Video Lenses with the introduction of a 14 x 4.5 HD Video Wide Angle Lens. The new 14 x 4.5 HD Video Wide Angle Lens joins Angenieux’s 19 x 7.3 and 26 x 7.8 HD Video Lens offering. The new lens offers a focal range of 4.5 to 63mm (9 to 126mm with 2x extender) and an aperture of f/1.8 (4.5 to 41mm). The lightweight 14 x 4.5 HD Video Wide Angle Lens weighs just 4.6 pounds and is available in semi servo and full servo versions. At booth 8D2-01 with Cine Equipment. —————————————————————– DaVinci Resolve Blackmagic Design’s DaVinci Resolve is the industry standard for color correction and 3D grading technology, supporting more real time color correction than any other system. Eliminating performance barriers by using a cluster of computers with high performance GPU cards, DaVinci Resolve handles real-time performance demands of color grades when using dozens of primaries, secondaries, power windows, multi-point tracking, blurs, and can work within the industry’s newest digital workflows. DaVinci Resolve can also easily handle new workflows needed for full stereoscopic 3D, offering the ability to grade and view two eyes simultaneously, in real-time with no rendering and no proxies. The DaVinci Resolve is also also available on both Mac and Linux Platforms. At booth 8K3-01 with The Media Village. —————————————————————– PlayBox DS Wall PlayBox Technology’s next-generation digital signage platform uses an entirely new approach to building and driving video walls compared to its rivals. The video output standard of the PlayBox Technology’s platform is universal. While other platforms use systems and external hardware devices to display the content to the multiple screens of the video wall, PlayBox DS Wall is doing the same task through its own systems only. Unlike the other digital signage solutions offered on the markets today allowing only fixed set configurations of the screens, PlayBox DS Wall gives you the freedom and flexibility to position the displays in any configuration you can think of. Special inbuilt wizard facilitates screen configurations setup. At the PlayBox Technology booth 7E4-05. —————————————————————– EditShare XStream 6.0l The 6.0 release boasts a variety of stunning performance and workflow enhancements, including simplified media management, optimizations for DPX workflows, and support for dual port 10-Gigabit Ethernet cards. XStream takes advantage of PCI-E infrastructure to combine a very high number of simultaneous video streams with almost limitless storage scalability. A single 16 drive chassis can write data at over 1GB/s, and the PCI-e architecture allows the fastest inter-connection between multiple storage chassis available for even greater bandwidths for DI workflow. User Groups for simplified administration allows for the definition of groups of users. Once a group is defined, it can be added and removed from Media Spaces and Project Spaces and managed the same way as individuals. Users can also belong to multiple groups. XStream 6.0 is fully compatibile with the latest versions of Mac OS X and Windows 7. At EditShare booth 7A3-05. —————————————————————– Sony SRW-9000PL The SRW-9000PL camcorder is the newest addition to the CineAlta line of high-end acquisition systems. With a 35mm imager and PL mount, it increases flexibility and offer shooters more image creation options. Its state-of-the-art Super 35mm IT CCD and ultrareliable HDCAM SR tape-based recording system deliver stunning images with ultra-low noise and high sensitivity. The camcorder offers full RGB image capturing (without color sub-sampling), ultra-wide dynamic range (over 13 T-stops), variable speed (SR Motion) with speed ramp capability, S-Log and HyperGamma capability. The camcorder is capable of 4:4:4 10-bit recording at 1080/23.98PsF, 24PsF, 25PsF, 29.97PsF, and 1080/50i, 59.94i (using HKSR-9003 option card. It can also record 4:2:2 1080/50P as standard configuration. The SRW-9000PL is ideal even for the most demanding of visual productions in digital cinema, commercial programs, TV dramas, and documentaries. At Sony booth 8M3-01. —————————————————————– Streambox Avenir Avenir, the newest member of the company’s industry-leading family of portable video transport solutions. Designed for field newsgathering, sports broadcasting, and other mobile live and file-based video applications, Avenir is Streambox’s first hardware-based encoder to offer both 3G/4G wireless network bonding for high-quality HD or SD in a fully portable form factor, enabling live or file-based video acquisition over a variety of lowdata- rate networks. The Streambox Avenir is also the first battery operated mobile encoder designed for a reporter to file HD/SD live and file-based video content over a variety of IP networks, which allows broadcasters to replace traditional SNG/DNG systems. The Avenir harnesses Streambox’s awardwinning ACT-L3™ codec to capture and encode high-quality HD content in 1080i or 720p format, at data rates up to 20 Mbps, and SD content in NTSC or PAL from 64 Kbps to 8 Mbps. At Streambox booth 7F5-02. —————————————————————– KUMO Compact SDI Routers AJA’s new KUMO compact SDI routers are cost-effective and reliable, supporting SDI, HD-SDI, and 3G-SDI. Ideal for any environment, they’re network ready and provide web browser control and monitoring. KUMO’s internal web server allows immediate installation and operation with standard web browsers, making it simple to use and powerful. At booth 8J3-01 with VSolutions. —————————————————————– Canon XF 300 and 305 The XF 305 and XF 300 are designed to produce video files compatible with most production and broadcast environments. Industry standard MPEG-2 compression means easy integration for broadcast, cable or satellite networks. Canon worked closely with major non-linear editing (NLE) manufacturers to ensure maximum compatibility and seamless workflow with the Canon XF Codec. The XF 305 also offers terminal support for HD-SDI output, genlock and time code, ideal for live broadcast applications, multicamera shooting and uncompressed Full HD output. With the XF 305 and XF 300, Canon has designed the ideal go-to camera for professional productions, large or small. At Canon Singapore booth 8D3-01. —————————————————————– EditShare Flow 2.0 Flow offers advanced media management capabilities for postproduction and broadcast production workgroups. Flow File-based Ingest offers sophisticated control of ingest from P2, XDCam EX and HD, and AVC-Intra based solid-state mediums. It automatically creates an extensive database of video clips that reside on central storage, and creates proxy video files to allow low-bandwidth network browsing for logging and even rough editing using the Flow Browse cross-platform software. Subclips and sequences created in Flow can be “dragged” directly to major brand editing application bins for further craft editing. At EditShare booth 7A3-05. —————————————————————– JetzLog JetzLog is a realtime DTV logging system that allows you to record your broadcast signal as a complete multi-program muxed stream. JetzLog can simultaneously record and stream – on ASI / IP – up to 100Mbps of multi-programme transport streams. Since JetzLog records all components of a multiplexed broadcast, it is ideal in situations where the regulatory authority requires long term recording for compliance verifi cation or where advertisers require proof of service level agreements. It is also very useful for offline post analysis. At booth 7E4-01 with Benchmark Broadcast Systems. —————————————————————– Streambox ACT-L3 Hybrid HD/SD Software Encoder for Apple Mac OS X The hybrid SD/HD solution enables field news teams using Mac laptops to gather, edit, and stream live or file-based HD-SDI video over IP networks from remote locations. Working in concert with Matrox’s MXO2 SDI device, the encoder provides a variety of professional inputs and outputs including HDMI capture of raw and uncompressed SD or HD footage for the highest-possible video quality, professional audio inputs and outputs, and HDMI video monitoring. The Streambox encoder is capable of encoding 1080i HD video at up to 6 Mbps (depending on the Mac’s processing power). For clients using air cards for wireless IP access, the Streambox encoder supports mobile 3G and 4G bonding on Mac platforms, which effectively doubles the contributor’s available bandwidth. With 4G bonding, the system has the potential to support broadcast-quality HD video in 720p format. At Streambox booth 7F5-02. —————————————————————– DIVAdirector V4.1 The Front Porch Digital DIVAdirector V4.1 is an easyto- use and cost-effective media asset management (MAM) system that enables operators, using their Web browsers, to search, locate, and retrieve stored media assets directly from their desktops. V4.1 adds a revamped and simplified browser interface. It offers support for identifi cation and retrieval of clips with noncontiguous timecode, which helps in archiving and preservation. Partial-restore format auto detection further simplifies user interaction with the complex format/wrapper challenges handled by DIVArchive. The DIVAdirector V4.1 also allows for management of remote proxies without the need for replication. In addition, DIVAdirector V4.1 offers enhanced integration with Front Porch Digital’s SAMMA Solo system, the compact, turnkey, singlestream solution for migrating media content from fragile videotape to secure, long-term digital storage. At booth 7D2-01 with Magna Systems. —————————————————————– XPression 3D HD Character Generator A high-end, affordable, real-time 2D and 3D broadcast graphics system based on the PC platform, Ross Video’s XPression was designed with the graphics designer, operator, director and automation specialist in mind. Engineered for stability, quality, flexibility and ease of use, designers can finally unleash their creativity, operators can modify, control and sequence each and every aspect and the director actually gets what he wanted: live, vivid graphics – on cue. Key new features in the latest version include enhanced MOS workflow integration with Newsroom Systems, Stereoscopic template creation and output rendering for 3D productions, enhancements to the already feature rich Material Manager, automatic center cut SD outputs for HD templates, and numerous other creative and productivity features. An XPression SD edition will also be introduced. At Ross Video booth 8J3-05. —————————————————————– StudioBox Dayang’s StudioBox allows for multiple functions like clip list playout, multi-format ingest, virtual background and streaming media delivery without the need for switchers, mixers, recorders, players and character generators. As long as the recorder and MIC signals are imputed, it can be used for studio program production. It covers most features of traditional studio systems and users can set up and maintain the system with ease. At Dayang International booth 8L3-05. —————————————————————– BrandMaster Video Switch Panel Pixel Power’s new Video Switch Panel for BrandMaster is the world’s first master control panel to use full-color TFT switches that can display static images or moving video of graphic and video assets, literally putting a greater amount of information at an operator’s fingertips. Infinitely reconfigurable enhanced software control panels include support for touch screens with gestures. Expanded router intelligence within BrandMaster remaps all master control interfaces, signals and displays to a channel with a single button press. At Pixel Power booth 7F2-03. —————————————————————– Sony XD CAM EX The expanding family of Sony’s award-winning XDCAM EX series of products now includes the PMW-320 shoulder-mount camcorder that delivers new levels of creativity and flexibility for solid-state digital production. The PMW-320 comes equipped with three cutting edge 1/2-inch Exmor full HD 1920×1080 CMOS imagers delivering superb picture performance with full HD picture resolution. DVCAM recording is a standard feature in the PMW- 320 and supports 25Mb/s DVCAM recording in either PAL or NTSC modes, providing seamless integration into existing DVCAM workflows offering ultimate flexibility of use internationally. Weighing in at just a mere 3.2kg, it is one of the lightest shoulder camcorders in its class. With curves in all the right places, the PMW-320 is ergonomically designed, providing a high level of mobility and flexibility in various shooting situations. Exceptionally low power consumption also makes it environmentally friendly. At Sony booth 8M3-01. —————————————————————– Dalet Enterprise Edition Dalet Enterprise Edition is an open media asset management (MAM) platform designed to facilitate highly efficient and collaborative workflows for news, sports, program preparation, and archives. Natively integrated production tools manage ingest, logging, production, playout, archive and distribution of content across multiple platforms. Developed on the principles of service-oriented architecture (SOA), Dalet Enterprise Edition leverages the full capabilities of modern IT technologies. Its workflow engine and Web services API provides future proof openness and agility to meet the broadcast and business requirements of today and tomorrow. At Dalet Digital Media Systems booth 7J3-05. —————————————————————– Nuke The Foundry’s Nuke 6.0 compositing application incorporates a completely new shape rotoscope and paint toolset based on a rewritten core curve library and new RotoPaint node. This release introduces a flexible, non-destructive, layer-based paint hierarchy integrated with Nuke’s animation and tracking capabilities and supporting per-object attributes such as blending modes and motion blur. Nuke 6.1 adds the renowned Ultimatte keyer, giving artists integrated access to all mainstream industry keyers. Meanwhile, NukeX 6.0 adds an integrated 3D camera tracker, automated and manual lens distortion tools, FurnaceCore – The Foundry’s reengineered set of Furnace plug-ins – and a DepthGenerator plugin. Nuke and NukeX are fully script compatible, with Nuke capable of viewing and rendering nodes created using the extended NukeX toolset. At booth 8K3-01 with The Media Village. —————————————————————– Wohler AMP2-16V Series Monitor Wohler’s modular AMP2-16V 16-channel audio/video processing monitor features dual 4.3-inch OLED screens, dedicated video monitoring, loudness metering and control, audio mixing and routing, Dolby Zoom, simultaneous color and scaleadjustable metering, and variable-timescale loudness metering and metadata display. Hotkeys provide access to channel groups, Dolby Zoom, and saved presets and mix setups. At Wohler Technologies booth 7H3-01. —————————————————————– Sencore TXS 3453 Transcoder First introduced at the NAB Show in April, the Sencore TXS 3453 real-time, high-performance transcoding platform delivers multiple channels of best-in-class transcoding in a reliable, highdensity 1RU chassis. A configurable engine and multi-channel architecture allow users to perform both SD and HD transcoding and transrating at an unbeatable cost per channel. Key features include bidirectional video transcoding from MPEG-2 to MPEG-4/H.264 and/or H.264 to MPEG-2 in all common HD or SD formats, as well as ASI and IP transport stream and optional RF interfaces. The TXS 3453 Transcoder offers up to 16 channels, providing broadcast, cable, and satellite operators with the most cost-effective solution for their specific needs. At booth 7F4-06 with Isle Tech Pte Ltd/Village Island. —————————————————————– DIVArchive V6.3 BroadcastAsia2010 will be the international debut of Front Porch Digital’s DIVArchive V6.3 content storage management (CSM) system is capable of full integration with popular media industry editing and production tools including Avid Interplay, Apple Final Cut Pro, and Apple Final Cut Server. The latest release of DIVArchive offers integration with Avid Interplay, making it easier for users of Avid’s industry-leading media asset management system to access content stored under DIVArchive management. New DIVArchive features include multiresolution object support, sub-clip partial restore, best-effort restore, advanced Avid asset search within the DIVArchive user interface, and full Unicode asset support. At booth 7D2-01 with Magna Systems.